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Your WWDC entertainment tech cheat sheet

The latest VisionOS, Apple TV and iPad news

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Welcome to a special post-WWDC edition of Lowpass! This week: Apple’s latest entertainment tech updates, and a special sponsored guest post from TVREV, LinkedIn and iSpot.

All the entertainment tech news from Apple’s WWDC 2025

Apple held its annual WWDC developer conference in Cupertino Monday, striking a bit of a different tone than its biggest competitor. While Google’s latest developer conference was all about AI, Apple held a much more traditional show: One presenter after another highlighted everything that’s new in iOS, Mac OS, iPad OS, Watch OS and VisionOS.

Many of the key details once again leaked before the show, including Apple’s decision to rename all of its operating systems to reflect the release year, and its new “liquid glass” design language (think: transparent, shiny and responsive buttons). But the show also still had plenty of news, including a bunch of things relevant to anyone working in or obsessed with entertainment tech.

With that in mind, I once again decided to sum up the show’s entertainment technology highlights:

Automatic sign-ins are coming to tvOS. Like the rest of Apple’s ecosystem, Apple TVs are also getting a refreshed user interface with liquid glass elements – but there are also some more substantial changes affecting developers and publishers.

  • Part of the UI refresh is new vertical cover art for movies and shows, which I’ve been told Apple started requesting from content partners a few months ago. Those posters should in theory also work well on the Apple TV mobile app, but the company did not announce a refresh of that app this week.

  • Developers and publishers can now help their users to automatically sign into apps on their Apple TVs, thanks to a new Automatic Signin API. No more painful on-screen keyboards!

The Vision Pro gets controllers – and more video. Two years after first announcing the Vision Pro, Apple arguably unveiled some the biggest platform updates for its headset to date.

  • Apple is adding support for Sony’s PlayStation VR2 Sense controllers, which developers can use for 6DOF gaming. That should go a long way towards making the Vision Pro more appealing to VR game developers. Separately, the company also announced support for a new Logitech 3D stylus.

  • VisionOS gets widgets, which users can place anywhere in their surroundings, and then revisit the next time they use the device. Meta announced something similar called “Augments” two years ago, but has yet to ship it. It will be interesting to see how entertainment app developers use these widgets. Album art pinned to the wall over your Sonos speaker, perhaps?

  • The Vision Pro is getting native support for 180-degree and 360-degree video, which should make it much easier for immersive media producers to bring content to the platform. Also now supported: Wide FOW video from GoPro’s and Insta360 cameras.

  • Vision Pro owners will also be able to view existing 2D photos in immersive 3D via something Apple calls “spatial scenes.” In a nutshell, the company is using on device generative AI to generate 3D for multiple viewpoints, making it possible to “lean in” to photos.

The Vision Pro’s first controllers are being made by Sony.

Apple Music is going to be front and center on iPhones. Apple Music got a surprising amount of stage time during Monday’s keynote, as Apple announced a bunch of new features.

  • These include an intriguing new integration with iOS: When your iPhone is locked, you just need to tap on the Apple Music lockscreen widget to replace your lock screen background with animated album art.

  • Apple Music also gets lyric translation and lyric pronunciation features on iOS. No lyric explanation feature though, so Genius is safe for the time being.

The new Apple Games app will be (almost) everywhere. A new Apple Games app to aggregate all of Apple’s gaming efforts was one of the tidbits that leaked ahead of WWDC. On Monday, Apple execs actually got to show it off on iOS, iPadOS and MacOS. No word yet on whether it will come to Apple TV and VisionOS as well.

Apple is positioning the iPad as a creator device. The iPad got some of the most noteworthy updates at this week’s WWDC, including new ways to multitask, a menu bar and a preview app. In essence, Apple’s tablet is becoming a lot more Mac-like. And with that, Apple is also looking to get creators to embrace the iPad as a content creation machine.

  • Users will be able to switch between different audio inputs for each app, making it easier to switch back and forth between, say, Airpods and a professional Bluetooth microphone.

  • iPads are also gaining a local capture feature, which makes it possible to locally record video during a call, and then share the recording with anyone else who was on the call. I could see this getting a lot of use from podcasters.

Availability: Most of these things are being made available to developers this week. Public beta versions are going to be released next month, and consumer-ready updates are expected this fall.

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CTV for B2B: How LinkedIn and iSpot Are Delivering Precision, Performance, and Proof

Business professionals watch TV too, right? Yes, yes they do. And as B2B marketers battle fragmented media environments and prolonged sales cycles, a new formula is emerging on TV: precise targeting, measurable outcomes, and verified reach.

For decades, TV advertising has been dominated by auto, QSR, retail, and pharma, while B2B marketers lacked the tools to align the emotional impact of television with the specificity and accountability required to reach professional audiences. Now, as viewers move to streaming, LinkedIn and iSpot are helping B2B marketers harness the power of Connected TV (CTV).

At a topline, LinkedIn allows advertisers to reach verified business decision-makers on streaming platforms, bringing professional-grade targeting to the biggest screen in the house. And with iSpot’s real-time, cross-screen measurement, marketers can access the data they need to prove impact and optimize spend.

Together, the two platforms are transforming CTV from an awareness tool into a performance channel for B2B. 

Targeting Without the Guesswork

LinkedIn’s CTV solution is powered by more than 1 billion members and unmatched first-party data—who people are, what they do, where they work, and what they care about. For B2B marketers, it’s like using Polk in auto, only now, it’s applied to verified business decision-makers.

Advertisers can target by job title, seniority, company size, industry, and more—delivering sight, sound, and motion across premium streaming environments. The result: full-screen storytelling tailored to business audiences, with none of the waste that typically comes with traditional TV buys.

Proof Over Promises

On the measurement front, traditional TV relied on broad metrics like GRPs, which are fine for mass reach, but useless when your entire target list is 500 people. For B2B marketers, measuring success by how many 25–54-year-olds watched CNBC just doesn’t cut it.

But with the rise of CTV, platforms like iSpot are bringing digital-style accountability to the TV screen, tracking impressions, reach, frequency, and audience overlap in real time. More importantly, iSpot answers the question at the heart of B2B TV skepticism: “How can we be sure our TV campaigns are actually reaching the right people—and what impact are they having?”

That’s why LinkedIn integrated with iSpot to provide B2B marketers with unified, actionable insights, including:

  • On-target reach percentage

  • Incremental impressions beyond linear

  • Cross-platform frequency

  • Publisher-level performance reporting

Case in Point: Salesforce

For years, Salesforce had invested in linear TV to build brand awareness, but the results raised questions about relevance and efficiency. Their campaigns reached broad audiences, but with little visibility into whether they were engaging actual decision-makers.

By shifting to LinkedIn’s audience-first CTV strategy and tapping into iSpot’s performance tracking, Salesforce gained a clearer view of both reach and resonance. They were able to target professionals directly, validate incremental exposure, and optimize spend without increasing their budget.

Key outcomes:

  • 70% of viewers reached via LinkedIn CTV had not been reached through linear TV

  • 4x more on-target impressions

  • 11x more cost-effective at engaging core B2B audiences

"At Salesforce, we historically approached CTV buying with a channel-first mindset, relying on assumptions about where our audience might be,” said Lauren Firebaugh, Sr. Director, Global Brand & Campaign Insights, Salesforce. LinkedIn’s integration with iSpot enabled us to measure on-target reach across partners, eliminate guesswork, and adopt an audience-first approach. This shift allowed us to reduce waste, enhance on-target reach, and make smarter, more efficient CTV investments – placing our audience at the heart of our strategy."

Want to follow the playbook?

What else

Warner Bros. Discovery spins out linear business. The cable network part of the company will essentially be a debt-servicing machine to free up HBO Max for further growth.

Roku is testing a more personalized homepage. The company is taking another baby step towards a content-first UI.

Additional details on Meta’s next-gen headset leak. The lightweight headset with compute puck is supposed to use Micro-OLED panels, offer a biometric unlock feature.

Roku gets live wrestling. It’s not WWE, but it’s something … to tune in every Tuesday.

YouTube has changed its content policies. Content reviewers are reportedly being told to “favor ‘freedom of expression’ over the risk of harm.”

Disney is completing its acquisition of Comcast’s Hulu stake. Turns out the mouse owes Comcast another $439 million.

Cineverse commercializes its AI search. The company is ready to license Cinesearch, which I wrote about a year ago, to other streaming services.

Roblox poaches Paramount Global CFO. Naveen Chopra previously held chief finance roles at Pandora and Tivo.

That’s it

This is a busy week in tech: Monday was not only the start of WWDC, but also the eve of Augmented World Expo in Long Beach. Then, on Wednesday, the Stream TV Show is starting in Denver. I’ll be at the latter, feel free to say hi if you’re there as well. Because of all of this, I decided to publish Lowpass early this week. Next week, you’ll find this newsletter in your inbox a bit earlier than usual again, as Thursday is Juneteenth — and I can’t wait for a long weekend ...

Thanks for reading, have a great rest of your week!

And many thanks to LinkedIn, iSpot & TVREV for sponsoring this issue of Lowpass.

Apple Park photo by Artem Horovenko on Unsplash

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